Text © Richard Gary/Indie Horror
Films, 2012
Images from the Internet
Bloody
Christmas
Directed,
produced and written by Michael Shershenovich Planetworks
90 minutes, 2012
Planetworksent.com
Facebook.com/BloodyChristmas
MVDvisual.com
Christmas horror is not a new genre. It
arguably goes back to the kid-friendly likes of Santa Claus Conquers the Martians (1964), The Christmas That Almost Wasn’t (1966) or even possibly How the Grinch Stole Christmas (1966).
However, it wasn’t until the 1970s and into slasher craze of the ‘80s that we
started to see Tales from the Crypt
(1972; the “All Though the House” segment), Black
Christmas (1974), Silent Night,
Bloody Night (1974), Christmas Evil
(1980), To All a Good Night (1980), Silent Night, Deadly Night (1984), Santa Claws (1996), and yes, How the Grinch Stole Christmas (2000).
This is a new dip in the Christmas horror pool list, but does it get candy or
coal in its dripping stocking?
The main theme of the film is the loss
of Christmas spirit, and the result of it. A priest, Father Michael (Robert
Youngren, who has played a lot of religious leaders in his career) laments that
no one is coming to his church’s Christmas service, including his staff. Rich
Tague (Steve Montague, who ironically has played Hitler more than once, including
a film called Ultrachrist! [2003]),
the film’s main focus, is a down-on-his-luck ex-action film actor who has just
been fired as a store Santa (by a character played by the director), the check
cashing place won’t touch his last payment, and he’s just received an eviction
notice on his trailer for back rent. His anger and frustration slowly builds in
him as we see flashes of his fantasies of killing those who offend him or his
sensibilities.
Meanwhile, someone is killing people in
the area of Binghamton, NY, including the son of Gaylen (Geretta Geretta, who looks
a lot like Donna Summers; she was in the 1985 Lamberto Bava classic, Demons,
which many feel had been remade as [*Rec] in 2007). Her first scene, which
opens the film, is totally out of context and a waste. The police, led by the
extremely underused Detective Steinman (Robert Arensen, who has practically
made a career playing cops), believes it could be a serial killer.
The killer’s identity is not really a surprise
at all, but that’s okay, all things considered, as this is a thriller, not a
mystery, after all. The rough edge that runs throughout, though, is that
first-time director Michael
Shershenovich is still in the growing pains of filmmaking. For example, the digi-camera
is nearly always handheld, making for some shaky viewing (though nowhere as bad
as, say, Cloverfield). There are also
some rough zooms and too many mid-close-ups, rather than alternating between
full- and close shots. Also, he doesn’t always get the best out of his actors. It’s
as though he rarely reshoots a scene, no matter how much the dialog gets
trampled. But the most egregious sin is the total lack of pacing. For a slasher
pic, it’s slow and plodding, with very little action and too much pointless
dialog that doesn’t really add to the story. And don’t get me started on the
weak fight scene that is at the climax of the picture.
The
gore level is pretty small and amateurish looking, with the exception of the last
gunshot, which looked great. There is no sex, but a nice nude shower scene by
the incredibly named (and built) Nova Lox. Like most of the rest of the younger
women in the film, she has multiple ink and piercings.
Throughout the entire picture, there is
a less-than-subtle pro-Christ in Christmas message, as characters comment about
commercialism, the true meaning of the holiday, and the like. Yet characters
have paper (Halloween) skeletons on the wall. It’s a bit too all over the
place.
Extras include interviews with some
cast members, a couple of nothing deleted scenes, and a the film’s trailers.
I don’t believe Shershenovich should take
this too much to heart, but use the experience and criticism to make better
films. My suggestion is to take on a crew who is more experienced, and can help
him along. The best way to learn is to do.
No comments:
Post a Comment