Text © Richard Gary / Indie Horror Films, 2013
Free link to view complete film below review
Images from the Internet
2
Hours
Directed, shot and cut by Michael Ballif
26 minutes, 2012
2hoursthemovie.com
Free link to view complete film below review
Images from the Internet
Directed, shot and cut by Michael Ballif
26 minutes, 2012
2hoursthemovie.com
Apparently, from the time one is bitten
by a zombie, it takes two hours for the virus to course through the victims
system until succumbing and then becoming one. This is the premise of this
totally serious zombie genre short that is nothing short of beautifully done.
While feeling guilty about the death of
his girlfriend (Brooke Hemsath, who recurs in guilt- and feverish-flashback
fashion) the Survivor (Josh Merrill, who also wrote the piece) goes through forests
and ruined cities hoping to find a group of other survivors before becoming
zombie feeder fodder. Problem is, he has been bit, and has just two hours to
find the group and hope they have a cure.
There are some interesting dual aspects
to this film. One is that the zombies are both slow and fast. They stumble
around looking for victims, but when one is spotted, man, can they run. They’re
a bit clumsy on their feet, but they will
run you down.
Another duality is the fluidity of that
sometimes the film is seamlessly shot as third person, and other times in first
person, even looking a bit like a shooter video game.
While the Survivor (as he is named in
the credits) silently and desperately searches
for the others while avoiding marauding flesh eaters (more Romero-esk all organ
diners, rather than just the cliché brains), we hear his thoughts as the virus
slowly but surely starts nibbling at his rationale.
While his deterioration is what makes
the core of the film, the visuals are actually quite impressive, with beautiful
as well as ugly landscapes, wonderful make-up and gore effects, and for once
hand-held camerawork that doesn’t make you want to barf like the Survivor.
Considering the low-budget, small crew,
two-year filming timeframe, and all shot on a $500 Canon T2i DSLR, I’m still
not surprised this is sopping up Festival awards left and right. Not only do I
recommend this, you can watch it just by clicking on the link below. Scary to
think what Ballif could do with an actual budget. Kudos, dude.
And be sure you stick around after the credits...
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