Text © Richard Gary / Indie Horror
Films, 2013
Images from the Internet
Lost Empire Films
Oklahoma City University Productions (OCU)
88 minutes, 2009 / 2012 / 2013
www.lostempirefilms.com
www.MVDvisual.com
Images from the Internet
Unsolved
Directed by Lance
McDaniel Lost Empire Films
Oklahoma City University Productions (OCU)
88 minutes, 2009 / 2012 / 2013
www.lostempirefilms.com
www.MVDvisual.com
The DVD cover states: From the Director
of Children of the Corn. I’m not sure
that’s something that would necessarily draw me in, having seen that film. And
yet, throughout this film’s credits, I see no mentioning of any director of the
permutations of CotC associated with
this film. But anyway…
I am going to take a stab here (pun
intended) and make an assumption with no ego on whether I am right or wrong:
this film is made by Oklahoma City University Productions, nearly all of it
shot on the campus of Oklahoma City University, and some cast members were
attending the Oklahoma City University at the time, so my guess is that this is
a student project, possibly for a degree. Hey, that’s the way the likes of Coppola
and Scorsese started. But then again, OCU is no NYU.
There are some fine moments here, such
as when the protagonist’s actions mirror almost exactly that of the first
victim (I’m not giving away anything really). There are also a few clever shots
here and there. All in all, though, this felt very much like a Lifetime Movie
of the Week with bloodlust.
It
actually took me about 10 minutes after the opening credits to narrow the field
of possible suspects down to two or three, and I had it nailed within half an
hour. Now, mind you, I watch a bit of mystery shows on TV and usually get it
pretty quick. While there are some imaginative bits throughout, story-wise this
is a pretty standard thriller with about as much blood as there is in an
average CSI, but less gore than that program.
During the prologue, which takes place in
the ‘90s (aka 15 years before the rest of the film), a coed named Heather is brutally
stabbed to death on the steps of her dorm after being manhandled by a couple of
jerk jocks, She’s white and her boyfriend is not, so naturally he gets the
blame, but is let off for lack of evidence. Again, this is the opening scene,
so I’m not giving anything salient away. Flash forward to the present (or
approximately 2008), and we are joined in a university class that specializes
in unsolved crimes (do I need to say what school?). Our central characters,
Amanda and her boyfriend Nick, manage to get the cold case of, well, Heather,
surprise-surprise. From there things get tricky and dangerous, with a decent
body count in the long run.
Most of the acting in this film is about
high school level. The line readings are either too flat or overly
effervescent. Well, in most cases, such as with Josh Shideler, who plays Nick.
True, his character is totally unlikeable as a pretty-boy hothead jock, but it’s
more the stilted way he reads the dialog that is troublesome for me. And,
again, this could be totally wrong, and I apologize if that is so, he really
sets off my gaydar.
Jane Bunting |
A shining light, however, is Jane Bunting, who
plays Amanda. I want to say to her, however, “who does your hair? Find someone
else!” Jane has a very cute pouty lip and a mousey/nerdy appeal, but more
importantly, she comes across as someone who can actually act, thankfully. There
are lots of moments where she could have just gone off the scale, but she
reigns it in at the right ticks, and is just the appropriate shade of
expressive at high drama situations (e.g., the mandatory chase-and-hide).
What
I found kind of interesting, and I’m not sure if it’s my overly-sensitive
filter, but there is a certain level of misogyny (the jealous ex-girlfriend,
for example) and racist undercurrent, such as stereotypical patterns (“Yo,
girl!” and eye-rolling). Now, to be fair, some of the strongest characters are
African-American, and there is even an interracial element, but within that
framework there are still a few “oy” moments.
There are other questions I have that
need explaining (why doesn’t she take off the wig, for example…see, I’m being
vague not to give up too much), and the occasional chase clichés are definitely
present. Despite all of this – and I know it’s a lot – this wasn’t a bad film, and it kept me interested
throughout, even though I said “Really?” more than once. Again, it is Lifetime
meets CSI, and I’m not sorry I saw
it. It was entertaining on some levels, and that makes a nice evening.
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