Text © Richard Gary / Indie Horror
Films, 2013
Images from the Internet
Blinky Productions
6:28 minutes, 2013
www.facebook.com/KruegerElmStreetTales
Bat
in the Sun: Super Power Beat Down (various episodes)
Directed by Aaron Schoenke
Bat in the Sun
Varies (appx. 6-10 minutes per episode, 2013
www.facebook.com/batinthesun
www.superpowerbreakdown.com
Friday the 13th: No Man’s Land
Written and directed by David Hastings.
Lightbeam Productions / Pat the Bulls Productions
53 minutes, 2010
Images from the Internet
These short films are the equivalent
of film fanzines, created by fans on micro-budgets, and deserve to be
recognized for their work.
KRUGER:
Another Tale from Elm Street
Written and directed
by Chris R. Notarile. Blinky Productions
6:28 minutes, 2013
www.facebook.com/KruegerElmStreetTales
Sometimes it’s pretty amazing how
effective a film can be in even less than 10 minutes. This two person drama is
a flashback to when Freddy Kruger (Roberto Lombardi) is still in his living and
sadistic prime, and how he meets little Suzy (Breanna Lakatos). A lot of the
bookmarks are there, like the sweater, the hat, the car, and even the gloved
hand scraping on the pipe. Lombardi does an excellent job as the creepily
charming Kruger. Knowing Freddy’s history with children makes their
conversation all the more cringeworthy. Notarile does a great job with a solid
nod to the original, while still showing some originality. Well worth the view,
even if it’s between fingers.
Directed by Aaron Schoenke
Bat in the Sun
Varies (appx. 6-10 minutes per episode, 2013
www.facebook.com/batinthesun
www.superpowerbreakdown.com
This series is a hoot to watch. Hosted
by hottie nerd Marisha Ray, it pits two super heroes and has them battle in
live action shorts. For example, there is Superman vs. Thor, Darth Vader vs.
Gandalf, Predator vs. Wolverine, or my favorite, Batman vs. Deadpool. The
scenarios open up with some nerds and beautiful women debating over who would
win and why, though the outcome is chosen by online voting. Basically it’s
Stewart vs. Penny, if she knew comic heroes. Unfortunately they sometimes bet,
which mostly ends up with the women in bikinis doing stupid things like having
pillow fights. Yeesh. But do not be discouraged because the hero / villain (or
hero / hero, or villain / villain) mash-up is so well done that you would never
know it had a small budget. Most have a sense of humor and certainly know their
characters (yes, Gandalf says “You shall not pass,” for example). The acting of
the larger than lifers is no less wooden than, say, George Clooney’s Batman or
Ben Affleck’s Daredevil. And this series is not afraid to mix genres and
publishing houses. There have been nearly 10 episodes as I write this, and with
one or two exceptions (e.g., Lara Croft vs. Nathan Drake), they are truly a joy
to watch. Also, it is worth it to keep checking back to see the latest.
Friday the 13th: No Man’s Land
Written and directed by David Hastings.
Lightbeam Productions / Pat the Bulls Productions
53 minutes, 2010
Ah,
nothing like a gaggle of thirty-year-old teens walking around Crystal Lake,
being Jason fodder. What is weird is that they have strange accents, which is
somewhat not surprising since it was filmed in the UK, though trying to adapt a
Yank one. Oh, one tries and fails with a miserable Southern ayk-sayhent. What’s
a nice turn is that they aren’t all buffed and gorgeous, but rather many have
non-stereotypical body types.
Though
this film is only a few years old, it has analog, VHS-like soft edges to the
images. This feels appropriate considering Jason actually became a cult figure
from the video revolution rather than the theatrical release, if I remember
correctly.
As
with all of these kinds of kid-in-the-woods-kids-get-dead
films, there is a long period of exposition at the beginning (though there is a
nice wrap-around) as we begin to meet and either not care about or dislike the
group, usually thanks to either cliché bitch vs. macho characters, or those so
bland you wish they would be just killed off to end their wooden acting, since
that’s the point anyway, ain’ it? There is even the strange, creepy guy in the
woods warning them to no avail.
Perhaps
you may think I am being too hard on the film. Nah, not at all, and in fact, I
admire that they actually have the same aesthetics of the original film, rather
than the later, silly sequels. This is probably more accurate to the core
concept than the others that were “official” follow-ups (which are mentioned at
some point to the informed’s amusement: “I heard he was even in New York,” a way-post-teen
mentions).
Actually,
my only real complaint is that all the sound is ambient, so the further away
from the camera the actor is, the harder it is to hear them. That and 15
minutes could have been easily clipped off, but that’s true of any of the franchise
(or let me expand that to the genre).
Now
a question I have (and all this genre has answers needed) is if you know a
killer is out there, or even possibly on the loose, why would you go off one by
one into the woods? Some of the kills are quite ordinary, such as a having a
head smashed against a tree (didn’t Jason have a machete at some point?), and
at least two of the women fall while running away, but there are a few good
gore effects that are quite well done and worth the attention..
The
editing is consistent with the original, and there is even some archival
footage of Jason as a boy, his mom (Betsey Palmer, as they did in 2001’s Jason X) and even Alice thrown into the
mix during flashbacks.
And
what about Jason? Well, he is played by the rightfully imposing and oddly named
Mike Bytheway (I’m thinking a made up name; if not, my apologies). He has Jason’s
mannerisms down pretty well, even the doggy-style head nodding to the side in
piqued interest.
The
thing about films like this is that they, well for lack of a better term, tread
on sacred ground to many followers of the original. In that way, despite the
flaws, they definitely succeed. This is a well-handled homage in its loyalty
and detail.
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