Text © Richard Gary / Indie Horror
Films, 2014
Images from the Internet
Perhaps it’s something in the
Pittsburgh water? Though born in central Florida, not too far from Disney World,
Steve Rudzinski grew up in George A. Romero territory. And like Romero, Steve
started dipping his talent into the filmmaking pond at an early age, starting
with small films and growing from there.
Obviously into the horror/comedy
genre, but not necessarily leaning toward excesses, his films include Basic Slaughter (2007), Everyone Must DIE! (2012) [Reviewed
HERE],
the Power Rangers inspired Super Task
Force One (2013), and more recently, Captain
Z and the Terror of Leviathan (2014) [HERE].
While his canon is quickly growing,
Steve does not overextend himself, taking time from writing and directing by
acting in other people’s films, such as Cary Hill’s Scream Park (2012) [HERE]
and Henrique Couto’s Depression: The Movie (2012).
As with many other micro-budget
filmmakers, Steve has managed to take a minimal amount of capital and turn it
into a piece of work that looks way beyond its actual cost. His locations range from western Pennsylvania
down into West Virginia, all to good effect.
Also, as is happily becoming the norm, he has been assembling a troupe
of actors that are not only getting better over time, but often double as crew,
such as the hilariously surly Scott Lewis (who also does cinematography and
editing), and Aleen Isley and Lacy Brooks, who have done make up effects), and
adds new talent all the time, such as the scene-stealing Madison Siple in his
latest, Captain Z.
I wanted this Q&A to be
informative, yet fun, and hopefully that will come across.
Indie Horror Films: What draws you to filmmaking; was it a passion when
you were a little kid and you made small films, or did the bug catch you a bit
later? How did your 16 year old self get started?
Steve: When I was around 12 I saw Army of Darkness in the Sci-Fi
Channel. I always was a story teller,
even if it was a dumb kid terribly drawing comic books. So I thought about writing for comics,
writing for video games, always wanted to tell stories. But Army of Darkness solidified my filmmaking
future. So I started making terrible
films at 16 and just kept working my way up.
I’ve never felt like I made a wrong choice.
IHF: How did you get from central Florida (Leesburg) to Pennsylvania
(Pittsburgh), and do you only live in or near cities that end in “-berg”?
Steve: I moved from Florida to
Pennsylvania when I was very young so that I didn’t have much say in. But I also spent time in other states while
doing film work, both coasts, LA for a bit.
Found myself in Wheeling during a downtime in film jobs due to how cheap
it was then found myself near Pittsburgh again because of family.
IHF: Who were the directors/films you admired that inspired you, and are
there any other micro-budget directors you admire, and why?
Steve: When I was younger I really
looked up to Sam Raimi for his comedy style (regardless of genre) and Robert
Rodriguez for how hands on he was (and still is) with his filmmaking.
As for other indie guys the one I
think is best is Dustin Mills [including The
Puppet Monster Massacre, Bath Salt Zombies, Easter Casket, and Skinless, all reviewed on
this blog elsewhere – IHF]. He
really understands the movies he makes and how to make them. His movies are all great, even the ones I
personally don’t like as much, and even better yet he’s very humble about
it. I know some guys that think they’re
god’s gift to indie filmmaking (usually thanks to chance connections) yet
rarely impress me. Dustin is a cool,
good person and filmmaker that always
makes awesome entertaining movies. And
working with him on Super Task Force One
was a dream. I’d love to work with him
more hands on for a feature (although we have plans for him to create a puppet
for my next movie) and if I could ensure two filmmakers getting a sustainable
career in the business, he’d be right after me.
IHF: I am assuming you were a Power Rangers fan growing up. Why, and how
did that influence you?
Steve: I was and still am. It (and its original Japanese counterpart, Super Sentai) is just a really fun
show. It’s light hearted, funny, but
often times (not always) can tell a serious story with real consequences and
fantastic action scenes. But above all, Power Rangers/Super Sentai was at its
best when it told a real story without taking itself seriously. That is a piece of influence I took, to never
take myself or my films too seriously.
IHF: You do a lot of filming in Pittsburgh and Wheeling, WV. Do you have
a place you prefer to shoot? And do you
prefer indoor or outside shootings?
Steve: Outdoor shooting has one
advantage, if it’s daytime, the sun is a fantastic light source. Short of diffusers or reflectors you don’t
have to care about setting up lights.
But other than that, indoor is absolutely preferred. Sound is easier, temperature can actually be
controlled, time is never an issue for light.
If I could afford a stage to make things look like “outside” I’d shoot
inside all of the time.
IHF: What kind of camera do you use, aspect ratio, you know, fill us in
on some of the more technical info.
Steve: Tech info would be a better
question for my go-to cinematographer, Scott Lewis. I can say that EMD! was filmed on a Canon t2i with a bunch of different
lenses. Super Task Force One with a t3i, also a basic 1.77 ratio. Captain
Z was with two cameras, t4i and t3i, with a multitude of lenses and made to
be 2.35 to be more cinematic.
IHF: Your characters are often the comic relief, but they are also
authority figures, such as a professor (Captain Z), the green Super Task Force One
unit, a class president candidate (EMD!), or amusement park
manager (Scream Park). What is about this type of role that attracts
you, and do you write them specifically for yourself?
Steve Rudzinski: Ha! I never realized or thought about this. It was always a case of circumstance, I
suppose. I needed to save a few hundred
bucks on an actor for EMD! and Pete
just so happened to be my favorite, Scream
Park I was hired for, and the producer of Captain Z was the one that wanted me to be the co-lead. I guess I seem like an authority figure.
IHF: In your films, if you had your preference, would you use more CGI or
appliances, and how did you hook up with puppetmaster and filmmaker Dustin
Mills?
Steve: I’ve always said you should
use a combination of practical and CGI.
I don’t like filmmakers that just use CGI, being dependent on it. But I also don’t like filmmakers who go out
of their way to use only practical
effects, as if something is wrong with CGI.
It’s turning down an entire tool that, when combined symbiotically with
cg, can create things you would could never do with just practical.
I met Dustin at a convention and
quickly became friends with him, then loved his films and what he could
do. We really connected and share really
similar ideas with filmmaking, at least I think so.
IHF: Often characters of both genders are not the generic beauty queen/six-packed
macho types. Is there a particular message you are purposely trying to convey,
is this who is responding to your acting requests, or is your fiancée watching
you?
Steve: Generally I just cast women I
find attractive, which usually just ends up being more realistic women, I
guess. I’m not really going out of my
way to make a statement, but maybe my subconscious is trying to tell people
something.
IHF: While there is ample cleavage, you don’t really show any sex or
nudity. Same question as above.
Steve: Sex I feel should be used as a
story reason, not have it just to have it.
I love nudity in movies, it’s always fun, nudity is never a big
deal. But sex just seems pointless at
times. Not always, not even the majority!
But I don’t insert it unless it’s for a reason. The reason can be petty and stupid, or
ridiculous and comedic, or offensive with a point. Just anything more than, “meh, whatever I
guess sex.” But that’s just personal
preference.
IHF: Other aspiring filmmakers certainly want to know: How did you fund
your films when you started as opposed to how you do it now?
Steve: I just saved up my money to
make my movies, cutting corners wherever needed to make it affordable. Now I do that with a mix of crowd
funding. Captain Z was nice because it was a producer so while it wasn’t my movie on an ownership or final say
level, it was really nice to make a fully budgeted movie where everyone got
paid without having to spend a cent.
IHF: Why horror comedies; will you ever do an equivalent of Interiors (Woody Allen)?
Steve: I’m a funny guy and not only
do I love horror, but it’s the easiest to sell.
As for getting out of my comfort zone, it may have been no Interiors but
Super Task Force One was definitely a challenging genre to take on. Maybe in the future I’ll tackle a serious
drama or something. But since EMD! I’ve made STFO and Captain Z; it’s
actually been two years since I made an actual
horror/comedy. I’ll soon be raising
money for my next film which will be my return to hard R horror/comedy.
IHF: How about an anecdote about a moment that turned out better than you
were expecting.
Steve: In Captain Z & the Terror of Leviathan, Vepar throws Glen (my
character) away several yards. We
weren’t sure how to do this and when speaking out loud, I said it would have
been funny if it was similar to Bruce Campbell flying backwards in Evil Dead 2. This wasn’t an option since we had no equipment. But Aleen Isley said, “What if you just wrap
your legs around Scott [Lewis] and he runs with you?” Scott and I looked at each other with faces
of “well...let’s try it.” It wouldn’t
work, there was no reason why it would work.
But we figured why the hell not and tried it. And dammit, not only did it work and look
great, but it’s hilarious.
IHF: Who of your actors do you think might have a chance as a breakout star?
Steve: I can name several who could
go far if a lucky break found them: Aleen Isley, Madison Siple, Ben Dietels (his Website is HERE),
Dan Christmas, Shawn Shelpman, Wendy Wygant, Alicia Marie Marcucci, all of
these people very well can have bright futures in the entertainment industry.
But if I was forced to choose
one? Seth Gontkovic. I am so glad he auditioned for EMD! and has been part of every film I
have made since then. Seth Gontkovic is an amazing actor that can do any
role. He’s played three very different
roles and nailed every single one while also being extremely dependable and
professional. I think he can have a
great future in acting.
IHF: Do you enjoy the Comic / Film conventions circuit, do you often
participate in them to sell and/or promote your films? And do you do cosplay at
them?
Steve: I used to do it more, but DVD
sales are conventions are very hard now.
It used to be easy to make bank at any convention, now it’s a chore to
break even. So I tend to stick to local
cons I don’t need a hotel for.
I usually just go and enjoy the
shows, I do also often cosplay. It’s
super fun.
IHF: Many of your films seem to end with the indication of, if not just
sequels, but possible franchises. Do you prefer multi-release films, are you
just teasing, or are you just leaving the door open for possibilities?
Steve: I have begun writing The Survivors (working title) which will
have characters from The Slasher Hunter,
Everyone Must DIE!, Wolfster [Part 1: The Curse of the Teenage Vamp, 2006], and even Captain Z on a team fighting against The Killers from Everyone Must DIE!. I like large universes where everyone is on
the same world and just kind of had an itch to make my own team movie. After I make this (which may not be shot for
a while) I doubt that I’d make another team movie like that. But since I still like combined universes,
characters from other films will probably still show up.
As for future sequels, I like leaving
open the possibility while solving the story in the film. I don’t want major things left over in the
movie I’m telling (unless it’s like EMD!
where I knew I was answering them later) but I like keeping doors open. Several of my films can easily have a handful
of sequels if I felt like it.
IHF: You were commissioned to co-write and directed Captain Z. How was that as an experience rather than creating it from scratch,
and is it something you would like to continue to do in the future?
Steve: It was very interesting. I was given a plot idea from someone else and
worked on an outline with someone else.
I was given mostly free-reign writing the script (and 90% of what I
wrote is on the screen) but he was definitely still the boss. And while we spoke early on and he understood
that on set I had to be in charge,
there was always the concept of having to make sure HE was happy. Some times were hard, dealing with the overhead
or having to take time to explain things that Scott and I needed no discussion
over.
But in general I would absolutely do
it again. It was a great opportunity and
not only was it a paying gig, it was a full budget with a full paid crew and
cast which makes everything easier and just higher quality. I hope Captain
Z does well enough to warrant a sequel and maybe have other guys say “Hey
maybe Steve can make me money.”
IHF: I realize this is sort of an unfair question, but where do you see
your career going? Say 5 years down the road? 10?
Steve: Either I’ll get lucky, meet
the right person, and be able to land a more stable job in the film
industry. Maybe Captain Z will do well and Zoltan Zilai [producer of the film, who also played Captain Z – IHF] will want
to keep producing, maybe between him, Dustin and me, we can have a
mini-studio. Or maybe I’ll just keep
being a schmuck, self-producing dumb movies that barely sell and getting a
decent paying gig time to time.
For more information on how to get Steve Rudzinski’s films, check out the
official Website for Steve’s production company, Silver Spotlight Films.
