Text by Richard Gary / Indie Horror Films,
2014
Images from the Internet
Psykik Junky Pictures
MVD Visual
76 minutes, 2013
www.psykikjunkypictures.com
www.mvdvisual.com
Bonus video:
Images from the Internet
to Jennifer
Directed by James Cullen BressackPsykik Junky Pictures
MVD Visual
76 minutes, 2013
www.psykikjunkypictures.com
www.mvdvisual.com
Joey (Chuck
Pappas) is convinced that his long-distance girlfriend, the titular Jennifer
(Jessica Cameron), is cheating on him due to a text message she sent to someone
else. Taking the Bobby Vee song, “The Night Has a Thousand Eyes” to heart, he
takes his unwitting and abrasive cousin/friend Steven (the director, Bressack)
along to record the events on his phone as a hostile witness.
In fact,
this is self-reportedly the first film ever shot entirely on an iPhone 5. Yes, that
does make it a “found footage” pseudo-documentary kind of deal. And man, it
takes a while for anything to happen. After an extended airport set piece that
is supposed to show state of minds but just drags, They hook up with stoner Martin
(Jody Barton, an old pal in Jennifer’s town. They meander more than focus on
anything. In the first half hour there
is a boring party, a fistfight without context and meaning, a trip to an old
motel that was once the scene of a crime… All in all, in the first hour, there’s
actually about 5 minutes that adds anything to the actual story.
There is absolutely
no character development other than shrillness and macho posturing. Even the
introduction of some hollering around a couple of prostitutes (real life porn
star Nella Jay and trans Kitty Doll) into the mix does nothing to advance the
plot, and is a waste of good talent. Jay steals all her scenes. All this section
did is make me want to take Joey’s poser hipster stocking hat and shove it in
his mouth to just shut him the fuck up. And Bressack’s annoying voice and
cackle as he videos (and of course he’s the loudest holding the camera) keeps
me this close to wanting to hit pause.
So, the
first big reveal an hour in? Figured it out earlier, when the event supposedly
happened. An hour and three minutes in, during the first suspenseful moment in
the film, a stupid – I mean really, really stupid question, almost ruins the
mood.
Here’s a
thing I learned in the 1980s, while watching Linda Blair’s Hell Night (1981): during a scene where someone is roaming around
and you’re expecting something to jump out can last too long, making suspense
dip into viewer impatience. But I didn’t advance the DVD at all, and waited to
see what would happen. Do I get some kind of award? Second stupid question at
1:05.
It finally
starts getting a little interesting at 1:07, but again, ruins the moment by
more roaming. And by sheer stoopidity (slight spoiler alert): why the fuck
would some who is being hunted stay on the grounds of the house, and not run as
far away as possible? Hey, even Michael’s sister Laurie knew to run to a
neighbor, and that was in 1978, fer krissake.
No, I won’t
spoil the ending, but I’m hoping I won’t have to see a sequel.
The only
extra is a commentary track with the three mail leads. Thankfully they actually talk about the film,
though they seem to have enjoyed it more than I did, with lots of laughing and
joking along with the information.
In sum, the length
of this review belies the depth to which I think – or actually don’t think –
about it. It would have made a decent 15 minute short, but there is just not
enough happening to warrant the full length treatment. To be a bit balanced, reviews I’ve read disagree
with me, so there are those that liked it.
Usually I
champion indie filmmaking, especially one that uses technology in a way that’s
never been used before, but this just a barking dog with no teeth. Okay,
perhaps three, but two of them have cavities.
Bonus video:
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