Text © Richard Gary / Indie Horror Films, 2015
Images from the Internet
Bloody Brit Productions
85 minutes, 2015
https://facebook.com/HoboWithATrashCan
http://hobowithatrashcan.wix.com/hobowithatrashcan
Images from the Internet
Hobo With a Trash Can
Various Directors; organized by Claire “Fluff” LlewellynBloody Brit Productions
85 minutes, 2015
https://facebook.com/HoboWithATrashCan
http://hobowithatrashcan.wix.com/hobowithatrashcan
This is an
anthology film with an interesting premise, and I quote: “[E]ach of the
participating filmmakers were given a budget of $1 and assigned a specific item
of trash to create a short film that ties into the narrative wraparound.” I’ll
buy that for a dollar!
Welcome to
Retroville (filmed in Chicago), a town that mixes old with new. Someone may put
down their cell phone to talk on a dial phone. You get the drift. Into this
world wanders our central wraparound story (“Welcome to Retroville,” of course)
character, Bo (Christopher Kahler). He is the titular hobo, with a shopping
cart full of junk and a premonition that something is terribly wrong in
Retroville; perhaps it’s aliens? When he touches certain pieces of garbage,
green lights flicker around him and he has visions. These visualizations,
natch, are the six short films (and equal length wraparound) that make up the
whole collection.
Claire "Fluff" Llewellyn |
The first
story (“Frying Saucer”) is a sci-fi piece about frying pans that cook bacon to
an addicting level, but there’s more than meets the pork behind it. Can
newlywed housewife Mindy Goodfellow (Claire “Fluff” Llewellyn) catch on and take
action before the world is doomed? In all these short stories, Mindy is the
only one who bleeds into the wraparound segments, after Bo is accused of murder
by two bumbling coppers.
In other segments
we are introduced to some ghosts playing poker in a Chinese restaurant’s back
room who are assaulted by yet another spirit (“The Hungry Ghost”), a talking
piece of fruit who is intent on taking over the world (“The Apple That Bit Back”),
a condom that is more than it seems (“CondomDemned”), a dwarf touting around a
paper bag with an appetite (“Grab Bag”), and the one serious piece that feels a
bit out of place, and is painful to watch on so many levels (“Dr. Hanger”; pay
attention Republicans!), but I would not want it removed.
The humor
that flows through most of the film and its pieces runs from really smart to
really silly, from well-acted to just plain goofy, and from imaginative to just
obvious. Through it all, however, Llewellyn and Kahler (aka Bloody Brit
Productions), who edited it all together, did a great job in making each
segment have a consistent look (and with added “scratch marks” on the “film
element”) and pacing. The tones, both in look and feel, are harmonious, with
the exception of “Dr. Hanger,” which, as I said, is sort of like that one
segment in a “Saturday Night Live” in the early days when they’d try to do
something serious.
There is
some serious cheesiness that runs throughout, even with this many directors,
and the music is especially hammy, with a Theremin-style electronic noise that
reminded me a bit of the soundtrack to Xtro
(1983). Note that I’m not saying this is a bad thing; I mean, it’s supposed to
be retro in both look and sound, and in that way it succeeds. It actually
reminds me of some other compilation films from the ‘70s period, like Can I Do It Till I Need Glasses? (1977).
To be
honest, I’m kind of hoping this is just the first in a series. Sure, it’s not
the only horror compilation by a long shot, but I like the premise of the $1
and the hobo. I’d like to see Bo come back, because, honestly, Kahler is one of
the better actors in the film, and was enjoyable to watch. I get the feeling that if this became somewhat
of a franchise, perhaps the practice of putting these together will help shape
it into something that will catch the attention of the indie horror audience it’s
aiming to reach.
No comments:
Post a Comment