Text © Richard
Gary / Indie Horror Films, 2023
Images from the Internet
Maniac Driver
Directed
by Kurando Mitsutake
Akari Pictures; Reelgore Releasing; 8 Ball Films; DiabolikDVD; MVD Visual
75 minutes, 2020 / 2022
www.mvdvisual.com
Although this film is Japanese in origin and language (with subtitles), it may be inspired by the real Hong Kong serial killer portrayed in Dr. Lamb. He was also a taxi driver serial killer.
The opening credits’ title states this is a “Japanese Giallo.” Well, the opening sequence screams of it, as a woman in a spandex bathing suit sensually strips in a shower, and is murdered by the titular, Fujinaga (Tomoki Kimura). The color palate (by Shuji Hamamoto and Mitsuo Kojima) is correct for a Giallo, with lots of primary colors, a knife, and a helmeted killer. Actually, what the opening made me think of was a cross between Italian Giallo and the ending credits of What’s Up Tiger Lily? (1966).
The tone of the over-thought narration describing the city definitely smacks of Taxi Driver (1976). Kimura even looks a bit like a younger DeNiro; heck, there is even a scene with him in front of a mirror holding a weapon and giving the whole “You talking to me?” speech. I have no doubt this was meant as an homage, rather than a rip-off.
While this definitely has a retro-Giallo feel, there is a Japanese spin on it. For example, as a businesswoman is being chased, she takes off her jacket so the film camera can get her braless bouncing, there is a close-up slo-mo shot of her backside where you can see her underwear beneath her overly short skirt, and, of course, by the end of the scene, her top is exposed. To be fair, in the body of the film (pun not intended), there is also male nudity.
The driver is depressed after his wife was murdered and he was stabbed in a home invasion by someone with the same helmet as him. This sours him on society, and both wants to die and to kill. But, how much of his killing his customers is real and what is fantasy? This is a territory touched on in American Psycho (2020).
The nudity and sex is a-plenty here, so it is no surprising that many of the women/victims in this film come from the world of adult cinema, such as Saryu Usui, Ayumi Kimito, and Ai Sayama (as is stated on the back of the Blu-ray box. Through fantasy and memory, this turns out to be quite a softcore flick. There is also extraordinarily little actual dialogue, with most of the philosophizing happening in the driver’s head. It ranges from injustices, to positive feminism, to despair.
Slowly, as his anger as desperation grows, he starts looking for a victim to take out his perceived vengeance on society and to end his own miserable life. Meanwhile, we see him taking customers in his cab numerous times, through a cab-cam with somewhat blocked faces. Did you know that DeNiro drove a cab in New York for two months to get a better idea of what the character goes through?
There are a lot of shots of Tokyo and the editing (John Migdal) and cinematography (Makoto Hayashi) is noteworthy, such as the city reflected through the moving hood of the dark taxi. Most of the shooting is normalized, but the fantasies are in high-art Giallo colors and lighting techniques. The music during these sequences are also interesting, in a distorted way.
Things pick up when he meets his (adult) “Jody Foster” in the form of injured Mayumi (Iori Kogawa), and he finally sets in motion to carry out his idea for a murder/suicide. Heck, there is even a long-haired villain (Yoshiki Kondô) who is reminiscent of Harvey Keitel.
When the reality is revealed and the facts are finally shown, well, some of it took me by pleasant surprise. The ending nicely sums it up, but I won’t tell…
The extras on this Blu-ray are as follows: an Audio Commentary by the director, Kurando Mitsutake, who fortunately is very fluent in English, so no subtitles needed (born in Toyko, grew up in Fresno, CA). He skillfully goes back and forth between descriptions of what is happening on the screen, and anecdotes about the whole process and the cast/crew. Worth at least one listen. We also learn that the title is a mash-up of insane serial killer flick Maniac (1981), and said Taxi Driver.
The “Maniac Driver: Behind the Scenes”-featurette (30 min) is exactly that, mostly setting up shots (and then we see what they filmed), and includes some brief interviews with the main cast. It is very basic but kept my interest. Finally, there is a Trailer (in English) and Slideshow, along with a nice 4-sided box insert cover with images of the film’s original posters. There are also subtitles available in three languages.
There is a prestigious amount of nudity, sex, and violence, not to mention blood and some gore (SFX by Yoshinari Dohi). The story is a bit weak and repetitive at times, and seems to circle around the point, but by the third Act, it is quite a ride.
IMDB listing HERE
For some reason, the
trailer on YouTube is captioned in German:
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