Text by Richard Gary / Indie Horror Films,
2014
Images from the Internet
Rounds Entertainment
SGL Entertainment
MVD Visual
90 minutes, 1997 / 2014
www.mvdvisual.com
Rounds Entertainment
SGL Entertainment
MVD Visual
55 minutes, 2002 / 2014
www.mvdvisual.com
Images from the Internet
A nice two-films-on-one-DVD release by
Massimiliano Cherci titled Double Feature From Hell, whose Troma patronage is evident (even though the deal with Troma
Distribution fell through). Both these films use a theme of horror and religion,
not surprisingly Roman Catholicism is the foci as it is the part of the
background of its Italy-born director. It is inevitable that there will be
comparisons with the 1980s style of Giallo, but I am saying too much here. Read
on… if you dare…
Hellinger
Directed by Massimiliano CherciRounds Entertainment
SGL Entertainment
MVD Visual
90 minutes, 1997 / 2014
www.mvdvisual.com
Most people
are going to look at this film, rereleased after nearly two decades, and say,
Oh, a throwback from the 1980s “video nasties” that were so prevalent in that
era. Well, they wouldn’t actually be wrong, but I would take it a step further,
and point out that it still has that gory fun and swiss cheese storyline that
we usually love from the likes of Troma.
A Roman
Catholic priest decides he wants to start his own religion and see heaven before he gets there. After a supposed
pact with the devil to do this, he becomes….Hellinger
(a play on the mixture of Hellraiser and Dillinger?). They never really explain
the name: just one of the swiss cheese holes. Meanwhile, he is haunting a young
woman, Melissa Moran (the lovely Shannah Betz, aka Shana Betz, aka Shana Sosin,
aka…), whose abusive father Hellinger killed by evisceration and pulling out
his eyes right in front of her when she was just a schoolgirl. Apparently,
Hellinger has a thing for eyes. But Melissa as an adult is both tough as nails
and still that scared little girl.
The third
main character is Melissa’s cousin, the silly named Kendall Ransom (long haired,
bearded and full body tattooed Artie Richard). He’s a cross between Chuck
Norris and Snake Plisskin (as a coincidence, this film was made in 1997, the
same year Escape From New York [1981]
was supposed to have taken place). Now I realize that the even relatively
modern horror cinema of the 1990s needed to have some kind of male action hero
to look up to, but I have to say, Ransom is a totally superfluous character. He
basically fails in everything he tries, other than getting us Hellinger’s
backstory in a longwinded talking head exposition. In a Carol J. Clover moment,
he can’t even save the heroine. Girl power!
For what
it’s worth, this is actually a fun film straight through, even though it’s not
a great piece of cinema. The no digi effects gore is plentiful if cheesy (especially
the ending), the acting on the most part equally questionable (though Betz
comes off – er – best), and as I said, there are plenty of plotline holes, but
it will keep your attention, along with giving some unintended laughs here and
there, which is always fun.
Cherci (who
also has a recurring cameo role) borrows a lot from a very interesting time of
filmmaking. For example, he was obviously influenced by Italian Giallo,
especially Dario Argento, and arguably Leo Fulci (this film reminded me of his
1982’s The New York Ripper and 1980’s
City of the Living Dead). There is also a pimp character that smacked
of Harvey Keitel’s role in Taxi Driver
(1976). However, in a somewhat prescient
way, he also has the title character repeatedly call Melissa, “my preciousssss,”
is a throaty hiss.
Let’s talk a
bit about the Hellinger character. He is borrowed a lot from the Pinhead lead of Hellraiser (1987), and there are even
the occasional hanging and swinging chains here and there. Bald and pancake faced film security maven
Wayne Petrucelli plays (okay, overplays) him as a cranky, slow talking, nearly
immobile evil character who is not the way he is for the reasons the legend
states, trying for audience sympathy at the last moment, though it’s hard to
feel that. He’s both villain and Melissa’s protector, as he snarls and sibilant
“S” lisps out his dialog. He truly will make you appreciate Doug Bradley’s equally
stoic turn (if you have to ask who Bradley is, you may be reading the wrong
blog; at least look him up).
In another
swiss cheese hole, Hellinger keeps telling her he “loves” her and wants him to
join him in eternity, but it is never really explained why (unless I missed it
in all the exposition). I mean, the first time she sees him she’s a little kid,
so that makes it even creepier. Why is
she his “precious”?
For a low
budget film, despite my own crankiness, this was quite enjoyable, that is once
you get past all the question marks, and the mysterians. Between the graininess
of the image, the grittiness of the characters, there’s blood and sex (and yes,
nudity), and a film worth viewing if you enjoy indie horror, especially in the
Giallo and ‘80s genres.
Holy
Terror
Directed by Massimiliano CherciRounds Entertainment
SGL Entertainment
MVD Visual
55 minutes, 2002 / 2014
www.mvdvisual.com
A possessed
nun (played by the ironically Biblically named Katy Moses) needs souls to keep
feeding on. Somehow, even though she never speaks a word, she manages to have a
real estate agent that periodically (okay, often) rent out her house to young
couples for that purpose. Mayhem eventually occurs.
The couple
in this case is the beautiful and blonde Julie (Beverly Lynne) and her equally
beautiful and blond hubby, David (Charlie Lubiniecki, who amusingly now goes by
David Charlie). To celebrate they bring four of their friends, two women and
another married couple, over for a housewarming party. By the end, you know
very well that few will leave.
All the
women are pretty, and the two men are just so gay. Now, I’m not saying this in
a negative way, I just mean the actors are very obviously, well, gay. Hell, one
even has earrings in both ears. My gaydar went through the freakin’ roof. They are decent actors, but it was distracting. The
only remaining real characters other than some brief appearances, is the real
estate agent, Kane (Michael Brazier, who also co-produced the film with Cherci),
and of course, the nun.
Stylistically,
Cherci has obviously grown since Hellinger,
but the story just does not get off the ground at all (it’s his story, but the
screenplay was written by Fratelli DiNotte. It’s 45 minutes before anything
really happens, and most of it is off-screen, even when it happens right then.
For example, you see the arm come down to strike with a crucifix, but you don’t
see the hit, just the after-effect.
The writing is
just terrible, honestly. One character is showering and she is soon covered in
blood, shocked by it all of course. Then she calming walks into the other room
and jokes about it with her friends. Another person vomits solid blood for a
full minute, and then calmly wipes the john, checks herself in the mirror, and
walks out the door. I get freaked out if it’s just puke, never mind blood, and
she’s blasé about it all.
The most egregious
thing, however, is the fact that this film never gets off the ground. Even when
the action sets into gear after a really long wait, it’s anti-climactic because
we really don’t get to care about anyone, and the action level is so muted.
Most of the
cast has a history of sex horror films. Well, the women anyway, and for the
men, the credits are limited at best. As for Moses (aka the nun), this is her
only appearance on official record (i.e., IMDB). The acting is actually much
better than in Hellinger, and most of
the cast more attractive (except for Shanna Betz, who would fit in well here),
but sadly it’s all in vain because, as one of the women say in this film, “So
far this party has been very uneventful.” I couldn’t say it better than this
self-referential gem.
So, even
though this film has high quality filmmaking and acting, Hellinger is the reason to get this metaphysical twosome.
Trailer for Hellinger: http://youtu.be/z_seoHSkxHI
Trailer for Holy Terror: http://youtu.be/jeGCT6zNz_Q
It's actually Cerchi ! ;)
ReplyDeleteThanks for the review !