Text © Richard Gary / Indie Horror Films,
2015
Images from the Internet
Multi Visionnaire Films / Sapphire Pictures
93 minutes, 2013 / 2014
www.travisbain.com.au/throwback.htm
www.mvdvisual.com
Images from the Internet
Throwback
Written and directed by Travis
BainMulti Visionnaire Films / Sapphire Pictures
93 minutes, 2013 / 2014
www.travisbain.com.au/throwback.htm
www.mvdvisual.com
It
has been a while since I saw a beastie film, let alone a Bigfoot one. This one
is from northern Australia, so the great hairy one is known as Yowie (as
opposed to Yeti), as in what you say when it steps on your foot. Sorry, didn’t
mean to start off with a bad joke, but there ya go. After all, the film
actually says “Filmed in Yowiescope,” so I think my gag is okay.
Which
leads me to the first point of this film: It is definitely not what might be
considered a comedy, but there is a very dry sense of humor that definitely
runs throughout. That is if you’ll notice that over the absolutely stunning
cinematography of the director, Travis Bain. It’s not just the
wide(Yowie)screen, it’s the lighting, the texture of, well, everything. There
is a flow in the movement, and the richest of the forest feels like it’s alive.
There is almost a travelogue-ness to the way he shows leaves, water and rocks.
The background is as arresting as the action happening within it.
Now,
back to that action. After a really fun prologue set a century ago, we are
introduced to two explorers, looking for the lost treasure of an infamous robber
by the name – I kid you not – Thunderclap Newman (no, not the band who sang “There’s
Something In the Air,” but it’s definitely a prescient hint of trouble; in all
honesty, I am not a fan of that song, but I digress…), deep in the steamy back
jungles of northern Oz. exterminators by trade Jack (Shawn Brack) and Kent (as
in Nick Kent, keeping up the classic rock nods?; Anthony Ring) are joined,
thanks to bad citizenship trough a campfire hazard, by short-pants’d ranger Rhiannon
(Melanie Serafin, whose character is named after yet another classic rock
reference).
With
a nod to The Treasure of Sierra Madre
(1948), there are double- and triple-crosses, as if a hairy brute weren’t
enough of a tension driver. Human animals can be as bad as the dangers in the
forest. Especially ones that can’t seem to keep a bullet count (i.e., how many
they have shot). Or that two strikes of a rock to the back of the head are
probably more effective than one. Although thighs seem to be in the most danger
in this film!
The
beastie makes its presence felt, but it’s more a secondary character, which
actually works well for this story of greed, desperation, and foliage. We
rarely get to see the Yowie’s face, just close ups of hands and other furry
body parts, and that’s okay too. And while the gore is kept at a minimum, there
are bound to be some squeamish parts for some.
And
in the middle of it all, giving a hand in a cameo, is Vernon Wells, who played the
mohawk’d Wez, the most memorable character from the original Mad Max II: The Road Warrior (1981, so
good it’s the only Mel Gibson movie I can still watch). However, unlike the
original Mad Max (1979), this one is
not dubbed over for North American audiences, thankfully, and the director
trusts we’ll understand the lingo, which is not any harder than watching Masterpiece Theatre. Just more fun.
With
a relatively small cast and a big jungle, this release is pretty effective in
making a big ado. It’s pretty obvious that nearly the entire film was shot in one small area
from different angles (confirmed during the “Making Of…”), but it still looks
amazing. After all, there is a reason it has won so many Festival awards
considering its relatively low budget (listed as $200,000).
There
are quite a lot of extras in this. For example, it starts with a 15-minute “alternative
ending,” which of course was the original ending before test marketing. I
understand taken as a whole why they made the change, but personally, I like
the first half of the alt/original, and the second half of the one used,
because the original plays against a stereotypical trope. However, one change I
would have made is rather than throwing in a quick flashback which would make the
old ending obvious, just show the action of the object being left. As it
stands, though, they made the right choice of the two.
We
are given a 3-minute and 15 second deleted scenes that were totally right to
take out, and superfluous even for the extras as it didn’t add anything. However,
there is a 44 minute Behind the Scenes featurette broken up into 6 parts to
make up for it. It’s more of a shooting diary, focusing mostly on Travis, Shawn
and Nick, and almost nothing with Melanie. It’s pretty interesting, especially
the technical details, and probably longer than it needs to be.
Also
included are a couple of trailers for this film, and some video blogs (23
minutes) of traveling to a film festival in California. Honestly, the travel
part of going from Australia to California is kind of boring, but it picks up
once they finally reach the Con at 14 minutes in. Travis and Anthony meet up
with Vernon, who by I once met at a Chiller Theater con in New Jersey, back in
the 1990s. Yes, he came across as a nice guy who let me take his picture
without charging me. In one part they’re trying to convince three people to
come to the screening, and I’m relatively sure, by coincidence, one of them is Ryan
E. Francis, one of the stars of ThanksKilling
(2009). It’s great to see them win the award for Best Foreign Film, and I’m
just sorry they didn’t include the Q&A after the film screening here.
At
almost 6 minutes in length, there is the 1999 16mm short film directed by
Travis called “Daniel’s Jack” about the internal monolog by a guy, Daniel, who
gets a flat tire and doesn’t have a, well, the title says it. It’s based on an
old joke, but it’s very effective here (Groucho does the same thing in 1933’s Duck Soup, for example). At just over 8
minutes, we are given the well-made “Full Moon, Dirty Laundry” from 1998, the
story of two lonely people who meet in a laundromat. At nearly 5 minutes, there’s
the very amusing “Parrot Ice Tours” from 2014, about two cheeky kids trying to
raise money to fix a broken window by taking advantage of Asian tourists.
The
next extra is a series of local Cairns, Australia radio interviews. The first three
are with Shawn Brack, two with Anthony Ring, and one with Travis. All are
interesting. The very last extra is a 1 minute video clip of Wells reading an
excerpt of a 1916 story called “The Hairy Man.”
For his
second full length feature, Travis did a great job. While this film could use a
bit more tightening up, it’s an incredibly decent release deserving of the
praise it’s been given at all the festivals it’s been accepted at, and worthy
of checking out.
BONUS:
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