Showing posts with label horror shorts. Show all posts
Showing posts with label horror shorts. Show all posts

Thursday, December 22, 2022

Horror Shorts Reviews: December 2022

Horror Shorts Reviews for December 2022

Text © Richard Gary / Indie Horror Films, 2022
Images from the Internet

These films are not in a numbered and ranked order, but rather alphabetically listed by first letter.

 

The Changing Room
Directed by Sam Evenson
Grimoire Horror
4:25 minutes, 2022

The lesson of the film is: obey signs in stores. A woman (Jamie Taylor Ballesta) finds a dress she likes in a shop and goes to the changing room to try it on. The out-of-the-way changing room has mirrors on facing walls, so you can see infinite versions of yourself. But, someone or something (Alan Maxson), who moves like the ghosts in Japanese horror films, appears in an unlikely place, and that’s where the terror begins. I had a smile at the end of this. Ballesta does a great job of showing fear. Also, the SFX was impressive. If you are interested, there is a really cool “Making of” video (which is around 6 min.) linked at the end of the film that I really enjoyed, as well.
Full film HERE

 

Deep Shock
Directed by Davide Melini
LV Hair LTD.

29:19 minutes, 2019
www.facebook.com/DeepShockDavideMelini
It should come as no surprise that this film just screams Italiano giallo. The director worked as AD on a few of Dario Argento’s releases. In typical giallo form, some of the actors are British, and some are dubbed over from Italian. It is full of the kind of imagery you would expect, apart from sharp, primary colors; here the are muted like the mental fog of the main character, troubled Sarah (Muireann Bird). She is in an unstable state over the death of her grandfather and sister, and is being taken care of by her other sister, Caroline (Lorna Larkin), a family friend, Marius (Francesc PagĂ©), and the brogue-speaking priest (George Bracebridge) at her family’s huge estate on the sea (filmed at Alhaurin el Grande, Malaga, AndalucĂ­a, Spain). In her dreams she is seeing the dead, but perhaps it is something more sinister? As with some of the Argento/Bava type giallo, there is extreme violence and some nice-looking gooey gore, as well as the mandatory nude bathing scene. There are lots of surprises in a direction I did not see (though should have considering the influences), and the imagery is quite breathtaking.
Full film HERE

Free Trailer HERE

 

He Knows When You Are Sleeping
Directed by Henrique Couto
Weekly Spooky
5:52 minutes, 2021
A festive genre film, as we see a woman (Iabou Windimere) snug as a bug in a rug. Well, on the couch, anyway. It’s Christmas Eve and something is stirring. She is in for more than one shock that night, and we get to see it play out…well, most of it. Other than some laughing and screaming, the film is silent (ever notice how many shorts have no dialogue?), but effectively creepy. The switch to porn-type music in one scene had me laughing. Short and to the point, the viewer is bound to get their jolly’s worth.
Full film HERE

 

The Manor
Directed by Blake Ridder
Ridder Films
13:44 minutes, 2021
 https://igg.me/at/manor

An American film crew goes over to England to find a shooting location, arriving at a stately, castle-like Victorian Manor that is, frankly, stunning. It is empty as the four go walking around, getting separated along the way. Before long, it is obvious that there is something in the house that can copy them, and also be deadly. There are several good jump scares in here, and frankly, I was a bit jealous, because as they are walking around taking pictures and videos of the place, I wanted to be there doing the same (I love taking pix of decrepit places). With a haunting score, the foursome gets lost as time becomes immaterial, and the rooms just seem to go on forever, reminiscent of Grave Encounters (2011). Both creepy and spooky.
Full film HERE

 

River City (E1, S1: Welcome Back)
Created by Jal Michael
Blind Cat Creations; MB
16:26 minutes, 2021
www.rivercityshow.com

In this animated horror comedy series geared to adults, Edwin (Cricket Cornelius) has the misfortune of his truck breaking down just outside of said City. Strangely, everybody there seems to know him (see the episode title), though he supposedly has never been there before (I have my theories about that). He is squared away at an apartment and befriends his blind and crusty neighbor. The duo head out to the bar and meet some of the sketchy (pun intended) patrons. There are zombies, werewolves, and other horror creatures large and small that populate the area. It was quite amusing, and vulgar, I am happy to say, with a lot a-cussin’. The second episode is due out around Xmas-time. Not to be confused with the Scottish BBC soap opera with the same name.
Full film HERE

 

Sighs from the Depths
Directed by Richard Griffin
A Reasonable Moving Picture Production
12:57 minutes, 2022
Imagine if a psychic had the power to tell you about how long you have to live, and what terminal disease will cause it? What would you do? This short examines this idea with three strangers close to their time. She has a solution, or does she not? And does this power come from somewhere light, or is there a darkness involved? All of these are explored in Griffin’s new compelling short. Mrs. Lathem (Susan Staniunas), with her assistant (Bruce Church), lead the trio on a “journey” that is full of fear of mortality and a hope for, perhaps, a cure. Beautifully shot, the length of the film flies by incredibly fast. It is nice to see Griffin work his “short” magic on this dramatic telling of facing mortality, and its common, desperate threads.
Trailer HERE

 

Take a Look
Directed by Liam Banks
Superfreak Media
12:59 minutes, 2021
Having recently moved into a new house, Katie (Tonia Toseland) finds a strange box in the attic that contains, among other things, an incredibly creepy baby doll that, when the string is pulled, says, “I see you.” From there on in she is haunted and taunted by a spirit (Charlie Brentnall) similar in idea to Ju-On/The Grudge (2002). No matter how she tries to get rid of the box, of course it returns. The film takes some older tropes and makes them work for this story to be effectively creepy. The spirit’s make-up by Alex Bourne is a bit “cakey,” but works. Katie definitely does things I would not, but even she says to herself, “Why am I doing this?” Toseland does well in the role, making her a sympathetic everywoman. Fun stuff.
Full film HERE

 

The Telling
Directed by Julia Alexander
5:37 minutes, 2016

A young couple, Andy (Shawn McLaughlin) and Alice (Molly Church), meet up with a psychic, Cassandra (Renee Erickson), in a park. Andy knows Cassandra, and brings Alice there for a reading about her future, and other matters. It is an interesting story for its time allotment, and has a really wicked – well, actually a couple of them – turns at the end. Very subtle and surprising at the same time. It was fun, and not just because I used to go see Church in a lot of off-off-off-Broadway plays in the mid-2000s. 
Full film HERE

 

The Tunnel
Directed by Andrew Clabaugh and Alex Spear
5:56 minutes, 2022
Jacob (Jordan Frechtman) is a joggin’ man, running for the exercise of it. He comes to an underpass tunnel that is well lit, and looks like any other underpass tunnel, but once he enters it, it changes his life, because no matter how hard he tries, he can never reach the end or the beginning. The film follows the psychological effect it has on him, as we watch him struggle with his sanity. Simple and to the point, with minimal subtext and a short amount of time, we feel his terror. While the story is a not complex, its direction and acting make it an effective thriller. Run to see it.
Full film HERE

Saturday, May 28, 2022

Horror Shorts Reviews: May 2022

Horror Shorts Reviews for May 2022

Text © Richard Gary / Indie Horror Films, 2022
Images from the Internet

Filmmakers, please note: usually, I do not review films (unless requested) that appear on sites like Alter and Screamfest, because they have a known platform, which is great, while I would rather focus on films with no sponsored online affiliations. These films are not in ranked order, but rather alphabetically listed by first letter.

 

Don’t Hide
Directed by Dillon Vibbart
Ninja Brothers
12:30 minutes, 2022
www.dillonvibbart.com
There is a lot to recommend about this short, even with its overt Christian overtones. Chloe (Ashton Solecki) is in the middle of a crisis of unknown origin, but enough to have a trio helping her with an intervention (Caitlin Duffy, Omar Cook, Matt Kohler). Their purpose is to keep a demon (Terrence Wentz) at bay, and to give Chloe the possible skills to face it. The demon looks particularly cool in a The Evil Dead (1981) way, and what it represents is pretty obvious from the beginning, yet this is very watchable. Despite the drawbacks (religious overtones and easy to guess where it is going), I just sighed at them and it still kept my attention until the very end. It is smartly written generally, and looks well put together. Definitely a watcher.
Full film HERE 

 

Found Footage Dracula
Directed by Hunter Farris

Bueller Studios
25:24 minutes, 2022
It’s an interesting thought. The director has stated that the original novel was a collection of letters, newspaper articles, etc., and therefore was a presentation of evidence, or a 19th Century found footage novel. So why not update the story and make it a modern found footage (FF) tale? To give you an example, rather than Jonathan Harker (Mitch Tyler) employing a horse and carriage to Castle Dracula, instead he takes an Uber. This is threadbare to the original novel, of course, considering the length and budget, but we have the main characters, including Lucy Westenra (Brookelin Backus), Mina Murray (Yvonne Bass), Doctor John Seward (director Farris) who runs the asylum, and Renfield (RJ Hall) as his chief patient. Of course, the Count himself is never seen because he casts no reflection and cannot be filmed. There is a lot of yelling in fear here, and I found it quite amusing (though not funny, I am glad to say). This is as indie as one can get, with a bunch of friends getting together and doing it on TikTok. I’m quite proud of the troupe, actually: they took a premise, executed it, and did a relatively decent job of it. The short is available in a computer-able version and one that can be watched on the phone. I am hoping that this leads to a full length attempt next. Or perhaps, an adaptation of another classic, like maybe Found Footage Frankenstein.
Full film HERE 

 

Host
Directed by Pat Baker
Postmortem Films; HarLau Productions
24:13 minutes, 2022
A young, yet struggling couple take some time off to a vacation house that’s more of a mansion (the Stoneleigh Estate in Martinsville, VA), with little around them. Annie (Josie Juliette Wert) is lonely and wants some attention from Jeff (JD Starnes), a workaholic, who has trouble leaving his job behind even with a sex scene (a longer short gives more time for stuff like that). Meanwhile, she is seeing visions from the past of previous residents from the 19th Century of an angry and brutal man, Jacob (Zach Ball) and his abused wife, Sara (Bethany Paulsen). Sort of like the television show “Ghosts,” but not a comedy; she can see them, though, but they don’t acknowledge her. Of course, Jeff doubts what Annie sees in demeaning ways. He may not be as physically brutal as Jacob, but he is verbally unsupportive and condescending. She is trying, and he is, too, but at, like, 50 percent. There is a mix of surprises and expectations in this lush tale, beautifully directed and shot. It’s long enough to give some form of exposition of the two main characters’ personalities, and yet short enough not to drag the story along. For a third short film by the director and producer of seven, it is a solid piece of work.
Full film HERE 

 

The Room Upstairs
Directed by Jacob Arbittier
Burnt Mill Road
4:27 minutes, 2020
Extremely prolific of late, this is one of Arbittier’s earlier films, and it is simple and to the point. A mother and daughter are trapped in a house with… well, the poster says it. It’s a bit of a nail biter, though it does not go into detail about how their sitch came about. The music is really creepy and effective at helping build the tension, and the ending is actually a surprise. Simple, short and to the point, and excellent.
Full film HERE 

 

Run
Directed by Alex Magaña
ACMofficial
3:18 minutes, 2022?
http://bit.ly/ACMofficial_Horror_Shorts
As Marshall McLuhan once said (among others), first you use technology, and then technology uses you (e.g., cell phones). For this film, it is FitnessTracker, the fictional equivalent of a Fitbit, that helps organize an exercise plan. However, thanks to a bug, it causes the uses to exercise to death. That is the problem facing the main character (Michael Glauser), as the device on his wrist takes control. And because of his relationship with his girlfriend (Esther Lane Montes), being that he’s the toxic masculinity type, this makes this a really sharp comedy that deals with both the human and tech. Wonder if this device is made by Skynet? Oh, and check out one of the director’s earlier films, which is one of my favorites, “Smiling Woman.”
Full film HERE 

 

Whitetail
Directed by Josh Minyard
Sunhouse Entertainment
15:51 minutes, 2020
www.facebook.com/whitetailshort/?modal=admin_todo_tour
This short is multi-award winning, and it is easy to see why. Beautiful cinematography, well-paced, and well-packed with tension. The very end is a bit obvious, but works incredibly. A young couple on the verge of engagement, Robbie (Derek Evans) and Alex (Tara Parker) are on a hunting trip. It’s not clear if this is for food, or pleasure (personally, I have no problem with the former, uncomfortable with the latter). He goes off to a hunter’s blind in the woods, and she to the spare and isolated cabin. But in a Most Dangerous Game, things do not exactly go as planned. My question is the motive for the action, which is: is it a comment on the first or the second reason for hunting? It probably doesn’t matter, because it is the sheer tension of the actions that occur in the story that make this watchable. One could call the ending ironic.
Full film HERE 

Monday, December 13, 2021

Horror Shorts Reviews for December 2021

Horror Shorts Reviews for December 2021

Text © Richard Gary / Indie Horror Films, 2021
Images from the Internet

Filmmakers, please note: usually, I do not review films (unless requested) that appear on sites like Alter and Screamfest, because they have a known platform, which is great, while I would rather focus on films with no sponsored online affiliations.

The Bellringer
Directed by Cindy Stenberg
Swedish Ghost Lovers; Uncanny Pictures
7:47 minutes, 2021
One of a film challenge taken up by Stenberg to direct three shorts in two days. Ends up it has won multiple awards. It’s easy to understand why. To get over a writer’s block to finish a novel about a haunting, Jessica (Jessie Lewis Skoglund) rents a bungalow that is in the center of many others that are similar (I so want to visit the real place, with camera in hand, because it is incredibly atmospheric). The inside of the cabin looks up to date, but the outside is full of faded wood, fog, and darkness. After a bit of a slow start that is help by some incredibly detailed camerawork and editing, Jessica starts seeing a woman in a cloak (Annika Forslund RimblĂ©us) ringing a bell as she walks among the buildings. There is no question the ringer is up to no good. It's the cat and mouse action that will definitely keep the tension strong. Also, the make-up on the bellringer is stunning, among other well done SFX by Sana Ă–hlund. The darkness and the fog keep the mood tense and nerve-wracking. Beautifully done.
Full film HERE 


Blunda
Directed by Fredrik Hellqvist
Hellfilm; DBoy Productions
9:02 minutes, 2021
What produces recurring nightmares that cause night terrors? That is the question Vanja (InĂ©s Cherif) brings to Professor von Ranck (Henry Lodin) at a clinic in this spooky short from Sweden (with English subtitles; the title means to shut one’s eyes). With slow, wispy dissonant music behind the images, Vanja is hypnotized as we follow her on her dream path into the presence of something that seems evil, Marasiten (Olle Ă…kesson). The film is just the right length to keep the audience compelled without overreaching, which is just what the (sleep) doctor ordered. Bathed in blue light, you can feel for Vanja and her dilemma, and the almost condescending confidence of the professor in the reasoning. A really enjoyable watch that will creep you out.
Trailer HERE 

 

Crayons
Directed by Cindy Stenberg
Swedish Ghost Lovers
5:02 minutes, 2021
Another part of the three shorts in two days project, this incredibly fun film shows a woman (Jessie Lewis Skoglund) on a walk. Partway through a railroad underpass, she finds some crayon scrawled and a box of large pieces of chalk. She draws something, which comes into existence. From there it escalates to bigger and better, until greed gets the upper hand for which there is a price. This is a fun story from beginning to end, even though it was quickly shot, and it shows some really fine filmmaking skills. My only question, and I say this with a smile, who handles chalk that size while wearing black cloth gloves? Anyway, so worth the view.
Full film HERE 

 

Face Mask
Directed by Dan Allen and Adam Huber
Midnight Video
6:05 minutes, 2020
This is a film for our times, that’s for certain. It’s night and a guy goes to his garage to do his laundry. He’s approached by a spooky guy in sunglasses (again, it’s dark out) and a surgical mask, who suggests the launderer do the same about wearing a mask. His tone is dissonant and threateningly almost monotonal as he asks to use a phone. The tension between the two is palpable as they stand near the garage and chat. But the end has a really nice O. Henry-esque twist that is unexpected and though a bit illogical, quite fun. The madness of suburbia.
Full film HERE 

The Ho Ho Howling
Directed by Andrew Neill
Two Jackets Productions
10:27 minutes, 2019
Christmas Eve. A young couple has just put their tween daughter, Charlie, to bed to wait for the morning presents. But there’s a noise on the roof and the parents investigate to find the most angelic looking Santa I have ever seen. The story nicely takes its time, not rushing towards its direction which is generally obvious from the title, but still manages to throw in a few surprises to keep both the audience off kilter and give a bit of a WTF quotient to make it humorously ludicrous. Not in a way that’s annoying, but rather with a nice touch of originality. There could have been a bit cut out of a pre-transformation scene whose color palate is right out of Creepshow (1982), but all-in-all, this film’s imaginative twists make it worth the watch.
Full film HERE 

 

Jolly
Directed by Todd Spence
Midnight Video
4:06 minutes, 2020
In a Talking Tina-esque Christmas Eve, with but one minute to the holiday, a man is napping on the couch when his animatronic Santa head seemingly comes to sentient life, and gives a dire warning. This leads to some well-presented tense moments as we, as well as both the man and Santa, count down the final seconds of the Eve. The reward is worth the wait, and in the short time as we follow this situation, the director does well to keep the viewer on the edge of their seat, and for that we are well rewarded. I felt jolly after the viewing.
Full film HERE 

 

Santa
Directed by Alexander Henderson
The Installments
6:58 minutes, 2019
A young teen (or near teen) asks his mom, “How does Santa know when you are sleeping?” That is the general theme of the creepy titular character in this episodic story, as the young man veers between waking and sleeping, or to be more precise, having nightmares about the jolly old man. While a bit over the top at times, the story does its best at delivering some nice tense moments and the viewer stays as baffled as the kid. A real sley ride (a clichĂ© pun, but why not if it fits, right?).
Full film HERE 

 

Synonymous With
Directed by Thom Hilton
Cataract Pictures
12:16 minutes, 2021
Taking place in 2009, the once host of local horror program “Synister Synema,” who used the professional name of Synonymous (Remy Gerinario), aka Syn, is asked to be interviewed by a college student, Jackson (director Thom Hilton, who is unseen). The questions start off semi-innocent, but quickly delve into the strongly personal side of Syn’s life, probing deeper into his psyche. This is mixed with clips from the television show where lots of Grade B and C films are mentioned, and anyone who is a horror fan should definitely feel an affinity with them (unless you’re one of those sad, “I don’t watch black and white films” kinda person). There is also a nicely edited montage of Syn’s life mixed in that works under the dialogue. This felt really personal, sometimes a bit uncomfortable in a good way, and my only complaint is that I wanted it to continue, even though Syn is the only person on camera other than Thing (Mark McGann), a hand character on the now-terminated television program. This is a good watch on many levels with a strong LGBTQ undertone. Hard to believe this is Hilton’s directorial debut as it is quite well written and constructed, including his editing.
Full film HERE 

Monday, October 18, 2021

Horror Shorts Reviews: October 2021

Horror Shorts Reviews for October 2021

Text © Richard Gary / Indie Horror Films, 2021
Images from the Internet

Filmmakers, please note: usually, I do not review films (unless requested) that appear on sites like Alter and Screamfest, because they have a known platform, which is great, while I would rather focus on films with no sponsored online affiliations.

 

Answer Your Phone
Directed by Benji Wragg
Crazy Moo Films; Taymaynari Productions
5:47 minutes, 2021
In this Australian short, a stressed young man (Oliver Midson) is on his way home with his phone getting messages from his abusive partner, Nancy (Rhiannon Newman; were her parents fans of Fleetwood Mac?), repeatedly asking where he is. However, he’s lost his car keys and rushes home the best he can. The tension is palpable, and when the payoff hits at the end, one understands the whys, if not the hows. I would like to have seen this stretched out a bit more, to get additional background to the story, but even as it is, it is effective. There is very little dialogue, and most of that is text messages. Lots of shorts seem to focus on the cell phone as a cinematic device to deliver the goods. Technology is both a life changing and yet also a trending object.
Full film HERE 



Beggar’s Night
Directed by Henrique Couto
Weekly Spooky
6:13 minutes, 2021
Alphonse (John French) is an angry farmer who sounds like he is from below the Mason-Dixon who has some issues. He needs to eat “heart friendly” (pizza without cheese? Personally, in this regard I agree with him), and he does not believe in that Satanic worshiping holiday at the end of October. You are not going to get any candy from this dude, even if he scarfs it down himself. Beggar’s Night is a regional Ohio term for going Trick or Treatin’ the nights before the 31st. But just because he does not follow local tradition, what about the spirits that do just that? Lessons to be learned and a night of scares is in store, under the monochrome blue light of night. This is shot quite lovingly with some wonderful editing skills. For such a short piece, the SFX make-up and creature designs look amazing. The timing of this release is perfectly – er – timed. Get yer Beggar’s Night/Halloween jollies on with this one.
Full film HERE  


Dead Frequency
Directed by Cindy Stenberg
Swedish Ghost Lovers
3:28 minutes, 2021
A man (John Hägglund) is living in a run-down small house that is under renovations in the middle of the woods in Sweden (where this originates). While chillaxin’, he hears a disjointed woman’s voice on a small walkie-talkie (I have a pair of those). The words coming out are full of static. They could be in Swedish, but it’s so garbled anyway, it really does not matter. This leads to some nice jump scares and a cool ending that I won’t give away. The director, Stenberg, who also appears in the film, manages to make a lot with a little time. The angles and shadows kick this up to another level. Enjoyable; just long enough to get the viewer engaged, but short enough to blast it away.
Full film HERE 

 

Parking
Directed by Abhishek Sachidanandan
3:19 minutes, 2021
There is a reason why so many films that want the viewer to feel uncomfortable, from horror to action genres, take place in lonely tiered indoor public parking garages. The light is gloomy, there is a feeling of dread, and who knows who or what is hiding behind a column or a vehicle. Mixing the place with technology, a man (Aloysius Shadi) gets into his car and starts to back up to pull out, when his car’s rear sensor beeps at him that there is something behind him, but nothing shows in the rearview mirror. The tension builds in this non-verbal scenario with the car doing all the “talking” through its sensors. Sometimes all you need is a simple idea and imagination to make an effective short story, and this one works for both.
Full film HERE 

 

Stall
Directed by Ryan Shovey
Creepy/Cool Pictures
6:59 minutes, 2018
My mother once actually said to me that the scariest thing was having to badly use the washroom when none was available. So, even though the entire film actually takes place in a public bathroom, the spirit of my mom’s comment is a focal point. A woman (Ariel Monica Putman) is in dire need of a loo, and there are two stalls: one is for handicapped, one not. The not one is occupied by an unseen and mysterious woman who apparently uses crutches. Irony? This puts our heroine in a dire situation of whether to hold it in (not a good option) or use the handicapped stall (personally, if the regular one was in use, I would enter the handicapped one in an otherwise empty bathroom without a second thought because desperate times/desperate measures…but she’s more socially conscious than I am). In this tale, however, there is a supernatural element, natch, and lights flicker, weird sounds abound, objects move on their own, and locker doors swing open. This is a nice, spooky tale and it is very well shot (without being claustrophobic considering the space) and acted. Putman uses body language quite well. While there are some really spooky moments, for me the cringiest thing was Putman kneeling on her bare knees on a public bathroom floor to peek under the stall door.
Full film HERE 

 

Unwelcome Guest
Directed by Andrew Johnson
11:50 minutes, 2020
A young man (the director and writer, Johnson) who is a photographer rents a house in the woods once owned by a State-executed serial killer. It’s a lovely, idyllic place surrounded by trees and has a lake close by, but of course that is not all that is attached. It’s a genre film, after all, right? The imposing ghost of the Lake Gillian Killer (Andrew’s dad, Eric) keeps popping up through the night doing evil things like rolling out the toilet paper. There is an almost subtle comic element to this film more than a frightful one that actually makes it a bit of fun. Johnson’s over-the-top emoting helps in that. The film comes off as a lark, meaning it looks like it was a lot of fun to shoot, and that gets expressed to the viewer. There is no dialogue but facial expressions and body language say a lot here. For me, the scariest thing about the film is just how much the central character is immersed in technology. For a country getaway, every move he makes involves some sort of electronic equipment, be it an HD TV, listening to his playlist as he sleeps, the camera plugged into a computer, and so on. For me, this was more invasive into the life of the “guy in the blue striped shirt” (as he is credited on IMDB) than the ghostie. A good, safe watch for othse who are easily scared.
Full film HERE 

 

The Visitor
Directed by Mark and Lindsey Palgy
Enjoy Cult-Classics; De4th Race Productions
6:40 minutes, 2021
An author with a writing block leaves his wife behind to take a solo weekend in the country to inspire him. You can see the affection between them. But what happens when you meet yourself in an Us (2019) kind of situation? The question presented is, simply, what is a natural response to that? And will your hairbun eat his beard? (Sorry, that’s a What’s Up Tiger Lily? reference from 1966). And what is the larger picture and meaning of it all? These are all questions that are answered in the film. It’s a nice little gimmick that works well. The ending was a pleasant surprise, as well. It is also well shot, with snippets of objects and close-ups, mostly, when needed. An interesting cinematic motif used is that the soundtrack is music, and when people talk, it is silent and we get subtitles; are people in Kentucky hard to understand? Could be the vocal track did not work well, or something else happened, and this was a smart way around it. Well, these Kentuckians know their stuff.
Full film HERE